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Traditional Alsatian costumes did not emerge all at once. They are the fruit of a slow evolution over several centuries, influenced by Germanic and French fashions, Rhenish commercial exchanges and the cultural specificities of each Alsatian sub-region. One traditionally distinguishes several major clothing zones in Alsace, each with its own colours, its own headdresses and its own embroidery: the Bas-Rhin with the emblematic red bow of Strasbourg, the Haut-Rhin with its darker headdresses, the Sundgau with its so distinctive black headdress, and the Kochersberg with its particularly rich floral embroidery.
These costumes were worn daily until the early 20th century by Alsatian peasants, craftsmen and bourgeois. They distinguished Catholics from Protestants, unmarried from married, mourning women from celebrating ones. Every element had a precise social and religious meaning.
Among all the elements of Alsatian costume, the great red bow - or Schlupfkàpp - is without doubt the most famous and most photographed. This spectacular headdress, worn by Protestant women of the Bas-Rhin and particularly Strasbourg, consists of a large black ribbon bow topped by an enormous bright red ribbon rosette that can measure up to 30 centimetres in width.
The origin of this bow is said to date back to the 17th century, when Alsatian Protestant women adopted this distinctive headdress to differentiate themselves from Catholics. The colour red, symbol of prosperity and vitality in the Germanic tradition, progressively established itself as the emblematic colour of this Strasbourg headdress. The most elaborate bows, made of silk or velvet, were precious objects passed from mother to daughter and worn with pride on special occasions.
In contrast to the exuberance of the Strasbourg red bow, the black headdress of the Sundgau - a region in the south of the Haut-Rhin, at the borders of Switzerland and Germany - embodies a sober and majestic aesthetic. This black velvet headdress, adorned with gold or silver embroidery, is worn with a costume in dark colours - black, burgundy, navy blue - that contrasts strongly with the more colourful outfits of northern Alsace.
The black headdress of the Sundgau is associated with Catholic women of this border region, strongly influenced by the traditions of neighbouring Switzerland and German Baden. Its making is an art form in itself, requiring many hours of work for the embroidery and the shaping of the headdress.
Embroidery is the most universal element of Alsatian costume, present in all sub-regions with variations in motifs and techniques. The most characteristic motifs are:
Postcard Hansi Children in Traditional Costumes of Alsace
In Alsace, religion has always been a determining factor in the evolution of traditional costumes. The differences between Catholic and Protestant outfits are numerous and significant:
The daily wearing of Alsatian costume practically disappeared after the First World War and almost completely ceased after the Second. Today, traditional costumes are worn on specific occasions:
The image of Alsatian costume remains extremely present in regional iconography - posters, packaging, souvenirs, illustrations - helping to keep alive in people's minds this clothing tradition that says so much about the deep identity of Alsace.
Alsatian Little Venice of Colmar decorative magnet
Alsatian bottle opener in resin with Alsace logo
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